comics meta
Jul. 18th, 2004 10:04 pmSomeone was talking about Alias in their LJ, which inspired me to re-read all the Alias issues on my HD, which inspired me to re-read #1-4 of The Pulse, which inspired a great big Jessica Jones meta. Cut-tagged; spoilers for both titles to follow.
I've heard a bunch of complaints about how Jessica's being written in The Pulse, as compared to what Bendis did with the character in her own title. But I'm actually more or less okay with it. Here's why: taken as a whole, for me, Alias is about the progression of Jessica Jones from the incredible state of fucked-up-ed-ness she's at when things start, through the (massive, scary, totally understandable) issues she has, and leaves her pretty much okay at the end. I mean, when we first meet Jessica, she's adamant about not wanting to have anything to do with her old life, her old friends, anything that had to do with her time as a superhero. She'll hang out with Luke occasionally, but she liiikes him, and he has a lot of the same issues with superherodom that she does. But as the comic progresses, she finds herself more and more a part of the community she turned her back on-- from seeing Captain America umasked to renewing her friendship with Carol, to the Spider-Girl business, right up to dating an Avenger. She starts get comfortable with having the people from her old life around, despite the horrible trauma that drove her away from them in the first place.
Then the Purple Man thing happens, and Jessica's forced to actually face what happened to her, what drove her away. And she does, and she kicks the bastard's ass. And I think, after that, it makes sense that she's a lot more okay than she used to be. Plus, with the baby on the way (which, as a plot device I'm not thrilled with, but considering the characters involved I trust Bendis not to turn it into a huge drama), she's got an external motivation to get her shit together as much as possible. Alias starts out with Jessica alone, and shows us why she's alone-- not just the Purple Man, but also the loss of her family and to some extent her basic personality. Then the story takes her to a place where she's not alone anymore, where she can pretty much be a functional person again. And that's where The Pulse picks up, which is why I don't mind Jessica being a different person than she used to be.
Also, I just think she's cool, and she's one of my favorite Marvel characters.
I do kind of hate the way she's drawn now, though-- what's up with the skirts? Jessica is not a skirt person. Bagley's style is fine for USM, but damn, can we get someone a *little* grittier for the grown-up title?
I've heard a bunch of complaints about how Jessica's being written in The Pulse, as compared to what Bendis did with the character in her own title. But I'm actually more or less okay with it. Here's why: taken as a whole, for me, Alias is about the progression of Jessica Jones from the incredible state of fucked-up-ed-ness she's at when things start, through the (massive, scary, totally understandable) issues she has, and leaves her pretty much okay at the end. I mean, when we first meet Jessica, she's adamant about not wanting to have anything to do with her old life, her old friends, anything that had to do with her time as a superhero. She'll hang out with Luke occasionally, but she liiikes him, and he has a lot of the same issues with superherodom that she does. But as the comic progresses, she finds herself more and more a part of the community she turned her back on-- from seeing Captain America umasked to renewing her friendship with Carol, to the Spider-Girl business, right up to dating an Avenger. She starts get comfortable with having the people from her old life around, despite the horrible trauma that drove her away from them in the first place.
Then the Purple Man thing happens, and Jessica's forced to actually face what happened to her, what drove her away. And she does, and she kicks the bastard's ass. And I think, after that, it makes sense that she's a lot more okay than she used to be. Plus, with the baby on the way (which, as a plot device I'm not thrilled with, but considering the characters involved I trust Bendis not to turn it into a huge drama), she's got an external motivation to get her shit together as much as possible. Alias starts out with Jessica alone, and shows us why she's alone-- not just the Purple Man, but also the loss of her family and to some extent her basic personality. Then the story takes her to a place where she's not alone anymore, where she can pretty much be a functional person again. And that's where The Pulse picks up, which is why I don't mind Jessica being a different person than she used to be.
Also, I just think she's cool, and she's one of my favorite Marvel characters.
I do kind of hate the way she's drawn now, though-- what's up with the skirts? Jessica is not a skirt person. Bagley's style is fine for USM, but damn, can we get someone a *little* grittier for the grown-up title?
no subject
Date: 2004-07-18 08:13 pm (UTC)no subject
Date: 2004-07-18 08:59 pm (UTC)You knwo what I need? Some Marvel icons. All the ones I have now are Buffy, Firefly or DCU.
no subject
Date: 2004-07-18 10:13 pm (UTC)Anyhoo, Marvel icons are needed. Jessica Jones sounds like a project you should be all over!
"Cool" was definitely the word I was looking for.
no subject
Date: 2004-07-18 09:33 pm (UTC)If you haven't seen Avengers 500 or heard anything about it, you should take a look at the free preview of it online. It has the death of a minor character who people started to appreciate during his appearance in Alias. As Bendis wrote that issue of Avengers, I don't mind the death too much.
no subject
Date: 2004-07-18 10:15 pm (UTC)no subject
Date: 2004-07-19 06:57 am (UTC)Trades are awesome things. A whole story arc (and in this age of decompressed storytelling, a story arc may be half a dozen issues at least) that can be easily sorted and lent out to people.
Another good Image book that is moving to Icon is David Mack's Kabuki. If you like Powers, you'll love Kabuki. Bendis may be brilliant but Mack is the American Alan Moore. However, this is some decompressed storytellling. He covers the same nine month period in 3 different storylines (told three different ways). His second storyline also covers nine whole MINUTES in something like 120 pages.
I want to pick up his Jinxworld books but most comic shops don't carry it as it is not enough like a standard comic book and book stores don't carry it as they think it is too much like a comic book for them.